Monday, December 30, 2013

PDF Download Star Wars Complete Visual DictionaryBy DK

PDF Download Star Wars Complete Visual DictionaryBy DK

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Star Wars Complete Visual DictionaryBy DK

This stunning reissue of the classic Star Wars: The Complete Visual Dictionary has been brought up to warp speed into 2012, the 35th anniversary of the release of Star Wars: A New Hope, and to celebrate the release of all six films in a 3D format that would impress Yoda. Once again, we've storm-trooped our way around Lucasfilm to get the inside and the dark side of all six Star Wars films, including incredible behind-the-scenes stories. Meet and greet every character, droid, creature and alien from Obi-Wan, to Han Solo, from the Arena Beasts to Jabba-The-Hutt (and his entourage). Explore every star ship and get up close to a multitude of weapons in this stellar guide. Travel to every planet, from Coruscant to Mustafar, and take a look at Clone troopers equipment and battle tanks. With over 1,000 incredible shots plus exclusive material, Star Wars Complete Visual Dictionary transports you right inside the movies. See the original R2D2, study the fearsome Droidekas (watch out for their lasers!) and venture inside the Great Pit of Carkoon, if you dare. The only guide to every part of the Star Wars universe. If you love Star Wars, you'll love Star Wars Complete Visual Dictionary. May the force be with you.

  • Sales Rank: #3627285 in Books
  • Published on: 2012-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.24" h x .98" w x 10.28" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review
"For SW fanboys, The Complete Visual Dictionary is a little slice of heaven. Highly recommended." -- Library Journal

About the Author

Ryder Windham is the author of more than sixty Star Wars titles, including Star Wars Blueprints: The Ultimate Collection and the New York Times bestselling Star Wars: The Ultimate Visual Guide. He has written junior novelizations of Star Wars and Indiana Jones movies and scripted numerous comics. An occasional freelance cartoonist and storyboard artist, he is an instructor and Certificate Program Advisor for Comics and Sequential Art at Rhode Island School of Design Continuing Education.

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Sunday, December 1, 2013

PDF Download Living a Feminist Life, by Sara Ahmed

PDF Download Living a Feminist Life, by Sara Ahmed

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Living a Feminist Life, by Sara Ahmed

Review

"Fans of bell hooks and Audre Lorde will find Ahmed's frequent homages and references familiar and assuring in a work that goes far beyond Betty Friedan's The Feminine Mystique, capturing the intersection so critical in modern feminism." (Abby Hargreaves Library Journal 2017-01-01)"Living a Feminist Life is a work of embodied political theory that defies the conventions of feminist memoir and self-help alike. . . . Living a Feminist Life makes visible the continuous work of feminism, whether it takes place on the streets, in the home, or in the office. Playful yet methodical, the book tries to construct a living feminism that is neither essentialist nor universalist." (Melissa Gira Grant Bookforum 2017-02-01)"Living a Feminist Life is perhaps the most accessible and important of Ahmed’s works to date. . . . [A] quite dazzlingly lively, angry and urgent call to arms. . . In short, everybody should read Ahmed’s book precisely because not everybody will." (Emma Rees Times Higher Education 2017-02-16)"Beautifully written and persuasively argued, Living a Feminist Life is not just an instant classic, but an essential read for inter­sectional feminists." (Ann A. Hamilton Bitch 2017-03-01)"This book is about a wriggling out, a speaking out. And it teaches me to write, to think, like this — word twists word, and body to thought. Because for Ahmed, words make worlds and her book — the first after she left academia in feminist revolt — is full of bluesy world-play."   (Caren Beilin Full-Stop 2017-02-28)"Living a Feminist Life is the perfect introduction to Ahmed’s academic work, if a general reader is unfamiliar with her. . . . For me, her lack of despair is the book’s strongest point. Ahmed’s work is as cutting and critical as it is joyful. There is a distinct hope and optimism for the future of diversity work – but still a demand for better." (Evelyn Deshane The F-Word 2017-03-19)"Undeniably, Ahmed’s book is a highly crafted work, both scholarly and lyrically, that builds upon itself and delivers concrete, adaptable conclusions; it is a gorgeous argument, crackling with kind wit and an invitation to the community of feminist killjoys." (Theodosia Henney Lambda Literary Review 2017-04-19)"Ahmed gifts us words that we may have difficulty finding for ourselves.... [R]eading her book provides a tentative vision for a feminist ethics for radical politics that is applicable far beyond what is traditionally considered the domain of feminism." (Mahvish Ahmad The New Inquiry 2017-05-15)"Anyone at odds with this world—and we all ought to be—owes it to themselves, and to the goal of a better tomorrow, to read this book." (Mariam Rahmani Los Angeles Review of Books 2017-06-06)"Living a Feminist Life offers something halfway between the immediacy and punch of the blog and the multi-layered considerations of a scholarly essay; the result is one of the most politically engaged, complex and personal books on gender politics we have seen in a while." (Bidisha Times Literary Supplement 2017-06-14)

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Review

“From the moment I received Sara Ahmed’s new work, Living a Feminist Life, I couldn’t put it down. It’s such a brilliant, witty, visionary new way to think about feminist theory. Everyone should read this book. It offers amazing new ways of knowing and talking about feminist theory and practice. And, it is also delightful, funny, and as the song says, ‘your love has lifted me higher.’ Ahmed lifts us higher.” (bell hooks)"I read Living a Feminist Life with a deep sense of recognition. This is a book that feminists will find illuminating—acutely painful at times, but mostly profoundly insightful. Written in Sara Ahmed’s trademark evocative style whereby concepts, experiences, words, ideas, structures, and bodies are examined thoroughly from all possible angles, the book documents what it means to understand and lay claim to living everyday life as a feminist. Analytic gems like 'sweaty concepts' and 'feminist killjoy' are peppered throughout, causing the reader to pause and reflect—stopping us in our tracks, making the act of reading a 'sensational' one, thus enacting theory in the flesh. A beautifully written, smartly provocative book that belongs on our shelves, in our classrooms, and in our daughters’ hands." (Chandra Talpade Mohanty, author of Feminism without Borders: Decolonizing Theory, Practicing Solidarity)

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Product details

Paperback: 312 pages

Publisher: Duke University Press Books (February 3, 2017)

Language: English

ISBN-10: 0822363194

ISBN-13: 978-0822363194

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#79,021 in Books (See Top 100 in Books)

As I listened to my feminist colleague espouse the daily challenges involved living true to her values and convictions as she encounters moments of thinly veiled misogyny and sexism, I found myself reaching into my briefcase and slowly sliding my well ear-marked copy of Living a Feminist Life across the table and uttering: “You need to read this book”.Every person who feels isolated in the righteous and often lonely fight for equality would benefit from Ahmed’s book. The volume combines deeply personal anecdotal (and often painful) stories of feeling like an outsider, even while surrounded by her closest family members, with easily digestible feminist theory. She ends the book with two practical survival guides to endure the onslaught of injustices feminists of conscience are sure to encounter as they navigate through patriarchal society.Raised in a conservative Muslim family, Ahmed delicately and heartbreakingly details her strained relationship with a father who clearly loves her as a daughter, yet is disdainful of her non-compliant willfulness. Ahmed views willfulness as consciousness brimming at the surface: questioning and challenging social mores that prescribe happiness in a predetermined set of criteria. “Being estranged from one’s own life can be how a world reappears, becoming odd…to become conscious of possibility can involve mourning for its loss” (Ahmed, page 47).Once feminist consciousness is turned on, evidence of injustice seems to rear its head at every turn, leaving the feminist killjoy feeling like an alien in a world full of people who seem incapable of breathing the same air she does. Ahmed states that feminist killjoys become a problem when we describe a problem: (Ahmed, pg 38, 39, 62): Through feminism you make sense of wrongs; you realize that you are not in the wrong. But when you speak of something as being wrong, you end up being in the wrong all over again. The sensation of being wronged can thus end up magnified; you feel wronged by being perceived as in the wrong just for pointing out something is wrong. It is frustrating….Feministconsciousness can be thought of as consciousness of violence and power concealed under the languages of civility, happiness, and love, rather than simply or only consciousness of gender as a site of restriction of possibility.Ahmed also takes aim at diversity and inclusion initiatives instituted at organizations. She sees them as simply a ruse – a way of looking like something is being done, when really nothing is being done. It is a doubly violent exercise of giving the appearance of doing something, but really doing nothing, and exploiting an oppressed person as the lead in the futile exercise. She utilizes a metaphor of a wall that she encountered in diversity work that keeps the master’s residence standing. Her metaphor conjures memories of feminist Audre Lorde’s contention that you cannot tear down the master’s house with the master’s tools.Ahmed’s description of feminist snap, that point when the pressure of the cumulative injustices ruptures one’s ability to be complacent any longer, is a powerful metaphor. She describes it as the basis for feminist revolt and the gathering of an army willing to stand for feminist hope. It is why, when I hear my feminist sister lost in a sea of despair I slide Living a Feminist Life to my comrade and suggest: “You need to read this book”.

This is a wonderful book and taught me a lot about the struggles for women, especially those who have largely been marginalized due to ethnicity or sexual orientation. Everybody should read this book.

This book put together so many thoughts, feelings, emotions, and experiences about life as a "feminist killjoy." From expertly crafting narratives that you can feel yourself around "diversity" work and becoming the problem when you bring up a problem. Accessible to read for new readers of Ahmed (if Queer Phenomenology had your head spinning like mine was). My self care and activism is so much better off from reading this tet

This is a fantastic book and opened my eyes to how patriarchy works on an emotional and personal level. As a man I found it useful, as a business leader I found it useful as a human I found it useful. Everyone should read this book.

Ahmed's work is wonderful. This book was enjoyable to read, and it's working as part of the theoretical basis for my dissertation.

Arrived on time and the price was perfect!

Excellent book. Highly recommend.

This book is articulate and poignant. I learned a lot about feminism and myself. She also made some excellent recommendations for further literature to invest in. I have suggested this book to just about everyone I know

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Wednesday, November 6, 2013

Free PDF Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

Free PDF Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

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Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris


Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris


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Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

Review

“A spiky and damningly insightful new comedy.” ―Ben Brantley, The New York Times“Superb, elegantly written, and hilarious.” ―John Lahr, The New Yorker“Courageous…Norris's elegantly structured play nails marital tensions as much as it does racial disharmony in an evening of ebullient provocation.” ―Lyn Gardner, The Guardian

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About the Author

Bruce Norris is a writer and an actor whose Pulitzer Prize– and Olivier Award–winning play Clybourne Park premiered at Playwrights Horizons in January 2010. Other plays include The Infidel, Purple Heart, We All Went Down to Amsterdam, The Pain and the Itch, and The Unmentionables, all of which premiered at Steppenwolf Theatre. Norris is the recipient of the 2009 Steinberg Playwright Award and the Whiting Foundation Prize for Drama. He currently resides in New York.

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Product details

Series: Tony Award Best Play

Paperback: 224 pages

Publisher: Farrar, Straus and Giroux; 1 edition (August 16, 2011)

Language: English

ISBN-10: 0865478686

ISBN-13: 978-0865478688

Product Dimensions:

5.6 x 0.6 x 8.3 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#34,923 in Books (See Top 100 in Books)

First of all, let me say that I'm glad to have purchased this book when it was selling at a price far more reasonable than the one it is being sold for at this writing. Apparently, the only edition currently available is the one published by the Royal Court Theatre in London, even though the play -- by a Chicago-based playwright -- was produced earlier by Playwrights Horizon in New York, where I was fortunate to have seen it last March. Reading the play reminded me of how enjoyable it was to have seen, as images of the superb Off-Broadway cast repeatedly flashed in my memory. Mr. Norris' play presents a different perspective on Lorraine Hansberry's classic play "A Raisin in the Sun." While that masterwork focuses on the Youngers, a Black family in Chicago about to move to a new home in Clybourne Park, a previously all-white neighborhood, Act I of "Clybourne Park" takes place at the same time, 1959, in the house to which the Youngers are about to move. Hansberry's sole white character in "Raisin...", Karl Lindner, visits the home just after his attempt to talk the Youngers out of moving into his neighborhood. That attempt having failed, he now tries to persuade the Stollers, the family selling the house at below-market value, to revoke the offer. We gradually learn why the house is available at such a bargain rate, through scenes involving a quirky group of well-delineated characters. Norris skillfully combines serious themes with a good deal of humor, and provides all of the actors with very juicy roles. This last continues to be true in Act II, which takes place fifty years later, in 2009, in the same house, now much changed. The same actors from Act I reappear in different roles, though some are in parallel relationships (e.g., married couples), and we soon realize how some of the Act II characters are connected to some whom we met in Act I. Norris cleverly shows us how the more things differ, the more they stay the same, as presumably "enlightened" characters prove to be even more uncivilized than their counterparts from half a century before. Once again, the characters are clearly drawn, and the dialogue is crisp and revealing. The play's conclusion merges the two acts neatly and theatrically. "Clybourne Park" is an outstanding play which should be on the schedules of repertory companies all over the country.

I directed a production of this play and everyone involved loved being part of it. We were discovering new things about the script right up through opening night and beyond. It's a brilliant mix of naturalistic drama and explosive satire that sets up echos and reverberations between the first act (set in 1959) and the second (2009). It's about race in America, but also about property, class, family, society--about how much things have changed, but also about how much still goes unacknowledged and undiscussed under the surface of American life. But it isn't at all pedantic or heavy-handed. Mostly it's just very funny and ingenious and extremely well-written...and in the end, surprisingly moving.

This is an outstanding play and a deserved winner of the Tony and Pulitzer (it won both). This play is set in Chicago in the section called Clybourne Park, which is where the Youngers from "A Raisin in the Sun" were moving to. The first act takes place in 1959 and the second act takes place in the same house in 2009. The actors in Act 1 portray different characters in Act 2. In Act 1, a white neighbor complains about a black family (thought to be the Youngers) moving in. In Act 2, a white family is moving into the neighborhood and is meeting resistance from some people in the black community about rebuilding the house.The 1959 scene opens with the careful parsing of words (where does the term Neopolitan come from? why?), and the 2009 scene opens with the careful parsing of words as well, only this time it is mind-numbing terms having to do with deeds, zoning, and architecture (frontage, etc...). In both Acts, the dialogue is fantastic, raw, funny and upsetting. Characters talk over each other. It's very well done.

I performed the role of Russ/Dan at the Laguna Playhouse, and despite some anachronistic moments in Act II (a reference to Obama is quaint now), the thing works like gangbusters. By the end of every performance, the audience were laughing hysterically, and we got vigorous applause at the end. The dialogue is terrific, very actor friendly, although it is NOT easy to memorize. The structure of the play is elegant and there are lovely parallels between the two acts, which take place 50 years apart. If you are studying playwriting, you must give this a read. Norris is an outstanding American dramatist.

I took a class and read both Raisin and Clybourne Park at the same time. The class had a chance to watch the film version of Raisin with Sidney Poitier , Ruby Dee, and Diane Sands. I also had a chance to see Clybourne Park performed in downtown Cleveland by the Cleveland Playhouse. Bruce Norris' play does a great job of examining the Clybourne Park house that the cast of Raisin occupied . What happened to the house and neighborhood 30 years later ? The home is part of the gentrification project . The black residents have sold the home and the home is being remodeled and upgraded by upwardly mobile whites. The author has the ability to write humor and insight into many of the scenes. At times, I found myself laughing out loud at the characters and the situations. In a couple of scenes, the author brought the audience to tears.Highly recommended.

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Saturday, November 2, 2013

Free Ebook A Really Big Lunch: Meditations on Food and Life from the Roving GourmandBy Jim Harrison

Free Ebook A Really Big Lunch: Meditations on Food and Life from the Roving GourmandBy Jim Harrison

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A Really Big Lunch: Meditations on Food and Life from the Roving GourmandBy Jim Harrison


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A Really Big Lunch: Meditations on Food and Life from the Roving GourmandBy Jim Harrison

“[A] culinary combo plate of Hunter S. Thompson, Ernest Hemingway, Julian Schnabel, and Sam Peckinpah . . . Harrison writes with enough force to make your knees buckle and with infectious zeal that makes you turn the pages hungry for more . . . Jim Harrison has staked out a distinctive place in the world of food writing.”—Jane and Michael Stern, New York Times Book Review on The Raw and the CookedNew York Times bestselling author Jim Harrison was one of this country’s most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. He also wrote some of the best essays on food around, earning praise as “the poet laureate of appetite” (Dallas Morning News). A Really Big Lunch, to be published on the one-year anniversary of Harrison’s death, collects many of his food pieces for the first time—and taps into his larger-than-life appetite with wit and verve.Jim Harrison’s legendary gourmandise is on full display in A Really Big Lunch. From the titular New Yorker piece about a French lunch that went to thirty-seven courses, to pieces from Brick, Playboy, Kermit Lynch Newsletter, and more on the relationship between hunter and prey, or the obscure language of wine reviews, A Really Big Lunch is shot through with Harrison’s pointed aperçus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison’s life over the last three decades. A Really Big Lunch is a literary delight that will satisfy every appetite.“Harrison is the American Rabelais, and he is at his irreverent and excessive best in this collection.” —John Skowles, San Diego Union-Tribune on The Raw and the Cooked

  • Amazon Sales Rank: #12029 in Books
  • Brand: GROVE
  • Published on: 2017-03-24
  • Original language: English
  • Dimensions: 8.90" h x 1.10" w x 6.10" l,
  • Binding: Hardcover
  • 272 pages
Features
  • GROVE

Review

Praise for A Really Big Lunch:

“A Really Big Lunch showcases Harrison’s enthusiastic, funny, and uncompromising views on how to eat, drink, and live well. His tone is conversational, generous, the sort of person with whom you’d want to share a 37-course lunch that lasts 11 hours . . . His writing is bodily, bawdy, sharp. The more we have of his voice, the better.”―Nina MacLaughlin, Boston Globe

“Dry wit and mordant insight are on glorious display in this new collection of essays . . . Nearly every piece . . . has a saying wise enough to carry in your wallet. Some will flat out break your heart.”―Ann Levin, Associated Press

“Jim Harrison lived as he wrote, vividly . . . A Really Big Lunch, whose publication marks the first anniversary of Harrison’s death, brings him roaring to the page again in all his unapologetic immoderacy, with spicy bon mots and salty language . . . His language is punch-drunk lively . . . Snacking on classic Harrisonisms . . . is deliciously filling.”―Heller McAlpin, NPR

“This collection of essays on food and drink showcases [Harrison’s] irascible wit and lust for life.”―Tom Beer, Newsday

“Sage and succulent essays . . . Simply to call Harrison salty is to ignore the myriad flavors of Harrison's searing wit and capacious heart. He was a consummate poet with an appetite to match, and his food writing is among his best and most fun . . . In this collection, Harrison’s wisdom shines throughout . . . We can add Harrison's writing to this list of life's pleasures.”― Katie Weed, Shelf Awareness (starred review)

“If anyone could pull off eating in the afterlife, it would probably be Harrison, well known for all kinds of appetites here on Earth . . . Harrison saw a clear subterranean connection between mortality, language, the good meals he’d eaten along the way, and those to come . . . A new collection, A Really Big Lunch: Meditations on Food and Life from the Roving Gourmand, offers one last look at what he ate, felt, reveled in, and raged about in the last of his swashbuckling years.”―Melanie Rehak, Bookforum

“It’s a pleasure to dive headlong into his vivid recounting of these appetites . . . It’s a pity Harrison never had a documentary show à la Anthony Bourdain’s No Reservations . . . Funny, pithy essays . . . What an omnivore―and what a writer.”―Molly Boyle, Santa Fe New Mexican

“A celebration of eating well and drinking even better as a recipe for the good life . . . The author waxes wickedly funny over matters of art, politics, spirituality, sex, and the commingling of all of them. His advice: ‘Your meals in life are numbered and the number is diminishing. Get at it.’ If this is the last we get from Harrison, it serves as a fitting memorial.”―Kirkus Reviews (starred review)

“One of America’s greatest writers . . . The intimacy and enthusiasm of Harrison’s food correspondent style makes reading A Really Big Lunch feel like sitting at a table during a really big lunch with the best, and smartest, and most entertaining of friends.”―David Masciotra, Salon

“Transcendent . . . Devour this book one course (or chapter) at a time. It’s like a rich meal, best savored so that no word goes unappreciated . . . In a life too short for all the adventures, drinks, lunches, loves and books we desire to consume, Jim Harrison reminds us not to waste another day. Wake up. Go too far. Dig in.”―Melissa Stephenson, Missoula Independent

“[Harrison’s] gusto sparkles throughout this collection . . . Harrison treats all these subjects with his usual earthy wit and delighted curiosity; the result is a tasty nosh for foodies with a literary bent.”―Publishers Weekly

“Impure, unadulterated Jim Harrison . . . A Really Big Lunch is such a gem . . . Let’s hope there are more collections of the work of this unique and uniquely American writer to come.”―John Greenya, The Washington Times

“[Harrison’s] playful quotability is boundless . . . With an introduction from Harrison’s longtime friend Mario Batali, this is for Harrison fans as well as a great addition to popular food and wine collections.”―Annie Bostrom, Booklist

“There’s much more to the book than its author’s enormous appetite―just as there was more to Harrison than his appetite, and more to his appetite than mere indulgence.”―Peter Nowogrodzki, Literary Hub

“Get this. That’s my earnest advice. If you merely have a passing interest in the revolution in food writing of the past 50 years, you need to know about the most macho food writer of them all . . . He is the best cure for nouvelle cuisine prose ever.”―Jeff Simon, Buffalo News (Editor’s Choice)

“The world lost one of its most unique and gifted food writers when Jim Harrison passed away last March . . . A must buy for any Harrison fans.”―Noah Rothbaum, Daily Beast

“One final homage to the pleasures of living.”―Kristen Inbody, Great Falls Tribune

“Harrison realized new possibilities for food writing, convincing me that food writing could touch on so many vectors and subjects while remaining vivid, insightful, and wryly funny.”―Mayukh Sen, Food52

“That food can bring together history and geography, not to mention love and desire, is the purpose of A Really Big Lunch . . . Longtime readers who appreciate his coda to ‘eat vividly,’ will savor this new collection. Good Reading.”―Petoskey News

About the Author Jim Harrison (1937–2016) was the New York Times-bestselling author of thirty-nine previous books of fiction, non-fiction, and poetry, including Legends of the Fall, Dalva, and Returning to Earth. A member of the American Academy of Arts and Letters and winner of a National Endowment for the Arts grant, his work was published in twenty-seven languages.

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Sunday, October 27, 2013

Ebook Free 21 StoriesBy Graham Greene

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21 StoriesBy Graham Greene

  • Sales Rank: #16698575 in Books
  • Published on: 1990-12
  • Original language: English
  • Binding: Audio Cassette

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Tuesday, October 22, 2013

Download Ebook The Words and Music of Melissa Etheridge (The Praeger Singer-Songwriter Collection)

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  • Published on: 1700
  • Binding: Hardcover

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Monday, October 21, 2013

PDF Download Blue Hat, Green Hat (Boynton on Board), by Sandra Boynton

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Blue Hat, Green Hat (Boynton on Board), by Sandra Boynton

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Blue Hat, Green Hat (Boynton on Board), by Sandra Boynton

From the Publisher

Serious silliness for all ages. Artist Sandra Boynton is back and better than ever with completely redrawn versions of her multi-million selling board books. These whimsical and hilarious books, featuring nontraditional texts and her famous animal characters, have been printed on thick board pages, and are sure to educate and entertain children of all ages.

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About the Author

Sandra Boynton is a popular American cartoonist, writer, children's author, and songwriter. Since 1974, Boynton has written and illustrated over forty children's books and seven general audience books, including four New York Times Bestsellers. More than 35 million of her books have been sold—"mostly to friends and family," she says. She has also written and produced five albums of award-winning children's music. Three of her albums have been certified Gold, and Philadelphia Chickens, nominated for a Grammy, is nearing Platinum. In 2008, she was awarded the Milton Caniff Lifetime Achievement Award by the National Cartoonists Society.

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Product details

Age Range: 1 - 5 years

Grade Level: Preschool - Kindergarten

Lexile Measure: AD30L (What's this?)

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literalContent: 'A Lexile® measure represents either an individual's reading ability (a Lexile reader measure) or the complexity of a text (a Lexile text measure). Lexile measures range from below 200L for early readers and text to above 1600L for advanced readers and materials. When used together Lexile measure help a reader find books at an appropriate level of challenge, and determine how well that reader will likely comprehend a text. When a Lexile text measure matches a Lexile reader measure, this is called a "targeted" reading experience. The reader will likely encounter some level of difficulty with the text, but not enough to get frustrated. This is the best way to grow as a reader - with text that's not too hard but not too easy.',

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Series: Boynton on Board

Board book: 14 pages

Publisher: Little Simon; BRDBK edition (October 11, 1984)

Language: English

ISBN-10: 9780671493202

ISBN-13: 978-0671493202

ASIN: 0671493205

Product Dimensions:

5.6 x 0.6 x 5.6 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

731 customer reviews

Amazon Best Sellers Rank:

#4,145 in Books (See Top 100 in Books)

Blue Hat, Green Hat was in a stack of new books I purchased for my granddaughter's 2nd Birthday. Since she knows her colors and her clothing, I wasn't sure if she was going to enjoy this book more than once or twice, but it's a Boynton so I gave it to her anyway. She not only enjoys it, after I read it to her twice I heard her "reading" it to herself! She didn't miss a thing! I love the way the author included animals, clothing, colors and a twist at the end! Sandra Boynton has such a gift for teaching our littles, they don't know they are being taught, to a little it is all entertainment! I wonder what she could do with High School Physics and Chemistry?I would recommend this book for any family library. It's a book that can be read to the very youngest, the pictures are clear and the "slip ups" of the turkey are hysterical - Oops! Sheer genius!

This is a fun little book, fitting right into the canon of Boynton's other books. The text is quite sparse, the illustrations simple and funny.I would note that we've found with this book, to really engage our son, the reader has to do a lot of work! Because the text is so sparse, we've had to embellish it a bit with explanations--explaining what the turkey continues to do wrong when trying to get dressed, like his friends. I don't mean this as a criticism, though--it's actually a compliment. It lets the reader be an active participant in the book, engaging the child with dialogue that, hopefully, leads to learning and interest.Also, you'll find yourself saying "oops!" a lot when you find what the turkey is wearing, almost always incorrectly. You'll be surprised at how many different tones of voices, inflection, volumes, etc. you can use with the word "oops!"

It's a cute book that goes through the alphabet with different animals. There were a couple letters that I thought were ridiculous and didn't make sense, but the rest are sweet, some are funny.The book is small enough for my toddler to hold and turn the pages. Durable for how rough she can be on her toys, too.It will be great for when she starts to learn the alphabet. It's a nice way to start getting her familiar with their shapes and sounds.

Oops! Is the favorite part for our kids. They know it's coming and love it every time they hear oops! I love giving this book to new Moms. A great gift!

 I ordered this and was super surprised by how quickly our little one responded to it. We are big on reading and she will sit by herself quite a bit, not knowing how to ready yet, but definitely recognizing quite a bit of what is going on. So Saturday morning she grabs this book and has a seat and turning each page, she keeps saying, "oh no!" as she sees what is happening with the entirely too silly turkey. It is a super easy read, cute as can be and being a board book making it pretty sturdy! Excellent purchase, I'd highly recommend for little readers.

not fond of this book. the terms/items/animals used are strange and uncommon. I also dislike u for uglier as others have noted.

We love Sandra Boynton books but this one is hard to read, flows is off and doesn’t have a cute rhyme like her other books. Illustrations are nice and we talk about the animals in the pictures and are working on identifying colors. Otherwise I’m pretty sure my 2 yr old finds this book boring.

This is a fun book for kids almost ready to learn to read. Kids don't understand what reading is initially. They think you're just telling them a story and showing them pictures. In this book, instead of reading the words, they can read the pictures. So kids can sit down and read this book themselves. And no matter how many times they read the book, the turkey keeps on making the same mistakes. Oops!

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Tuesday, October 15, 2013

Download Secrets of Chess Tactics (Batsford Chess Library Middle Game)By Mark Dvoretsky

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This chess book concentrates on typical practical themes in the middlegame. It deals with the essential ideas of tactical combinations, attack and defence. At every stage there are questions and tests which enable the reader to discover his or her own tactical strengths and weaknesses. This book is the sequel to "Secrets of Chess Training" which won the British Chess Federation's 1990-91 Book of the Year Award.

  • Sales Rank: #867720 in Books
  • Brand: Brand: Henry Holt Co (P)
  • Published on: 1993-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.25" w x 1.00" l,
  • Binding: Paperback
  • 275 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English (translation)

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Monday, October 14, 2013

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As an engaging and persuasive survey of American public life from 1816 to 1848, Harry L. Watson's Liberty and Power remains a landmark achievement. Now updated to address twenty-five years of new scholarship, the book brilliantly interprets the exciting political landscape that was the age of Jackson-a time that saw the rise of strong political parties and an increased popular involvement in national politics. In this enduring and impressive work, Watson examines the tension between liberty and power that both characterized the period and formed part of its historical legacy.

  • Sales Rank: #74509 in Books
  • Brand: Brand: Hill and Wang
  • Published on: 2006-05-02
  • Released on: 2006-05-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.18" h x .86" w x 5.44" l, .65 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

From Library Journal
Despite its subtitle, this is much more than just another study of Jacksonian-era politics. Instead, Watson has integrated recent literature and traditional themes to produce a persuasive and well-written survey of public life from 1816 to 1848. He shows how social, cultural, and economic factors interacted with politics, and stresses as a major theme the tension between liberty and power that both characterized the period and forms part of its historical legacy. His explanations of republican theory and the fight over the Bank of the United States are particularly clear, and there are also good sections on slavery, the Indians, and the changing role of women. Recent scholarship has dated well-known previous surveys of Jacksonian America. For now, this should be the volume of choice. For most libraries.-- Jonathan D. Sarna, Hebrew Union Coll.
Jewish Inst. of Religion, Cincinnati
Copyright 1990 Reed Business Information, Inc.

Review

“This is a superb book-indeed, a model of its kind.” ―Thomas P. Slaughter, Rutgers University

“A splendid achievement, sane, balanced, beautifully written.” ―Michael F. Holt, University of Virginia

About the Author

Harry L. Watson, a professor of history at the University of North Carolina at Chapel Hill, is the author of Jacksonian Politics and Community Conflict and An Independent People.

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Sunday, October 13, 2013

Download PDF Old Mali and the BoyBy D.R. Sherman

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Old Mali and the BoyBy D.R. Sherman

One of a series of top-quality fiction for schools, this story tells the adventures of a fatherless 12-year-old white boy and his mother's old gardener when they go into the North Indian jungle to hunt for sambur.

  • Sales Rank: #16661607 in Books
  • Published on: 1979-03-19
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 128 pages

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Wednesday, October 9, 2013

Free Download Wandfasted: The Black Witch Chronicles

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Wandfasted: The Black Witch Chronicles

Product details

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margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 8 hours and 21 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Harlequin Audio

Audible.com Release Date: May 29, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07CNDPLMK

Amazon Best Sellers Rank:

This was not what I expected to get out of Wandfasted, but I am SO happy I read it. I won't waste time telling you what this novella is about, because you have a perfectly well written synopsis above.Things I liked:Finding out where Vale and Tess came fromThe very dark beginningHow well it was writtenThe peeks into the warCharacter developmentIt was a page tuner, and I never wanted to put the book down.What I didn't like:My biggest critic of the book, is that it just didn't feel like we really needed the novella. By that I mean, It didn't really add anything new to the story. It added a few characters, and maybe some setup for the book to come in the next book! However, it felt like it was just a lot of info dumping.The ending left me feeling very happy, BUT I was expecting a little more conflict to be sprinkled throughout the book.Romance- I just really don't read a lot of Romance to begin with. So I was surprised that it became the main focus of this books plot. Vale and Tess are a fine couple! I just did not expect this novella to focus so heavily on their relationship, and not the war.

ve been saying that within 2 years, Laurie Forest will be one of the biggest, most respected names in fantasy. Her new novella, Wandfasted, will go a long way toward making that reality.It’s a longer novella, almost full novel length, which is good bang-for-your-buck in terms of entertainment/cost value. And actually, it’s almost two separate books in terms of what happens in the story. I’ll break it down as such:First 20%: Fantasy action storyLast 80%: Fantasy romance storyIf you view it as that going in you’ll have the proper expectations for the book. And both components to this are masterfully done. That first 20% flew by so fast that I felt like I was in a whirlwind – just as the main character Tessla certainly is throughout these events. It’s so emotionally gripping and exciting throughout this portion that it really shows her breadth and depth as a writer, even if her bread and butter comes from the latter portion of the book. I love the way magic is used and how it’s dangerous for someone untrained who might burn themselves out, and actually the whole concept of Wandfasted. Really it brings me back to memories of Robert Jordan’s Wheel of Time with his Aes Sedai, and that is ALWAYS a welcome feeling.What’s great about this first 20% though even more is what it does for The Black Witch. One of my issues with that book is we kept getting shown how bad the Gardnerians were acting to everyone else, and it almost seemed unjustified that they acted like that. I was hoping it wasn’t a direct allegory for LITERAL NAZI throughout that book, but at times it felt like it. Wandfasted fixes that issue I had with the book as it shows a tragic past of how they came to get so paranoid and angry. This backstory was a tremendous help to The Black Witch and I recommend reading Wandfasted first because of that.Once we get past the initial war shock, the really emotional war elements where the character loses everything, Tessla is thrown into another whirlwind of sorts, this time a romantic storyline. I won’t press the details as the author has gone to great lengths to set up the beginning to leave you guessing who’s going to be her paramour, but suffice to say it’s satisfying.Forest’s descriptions of the romance, the building tension, the frustration that the characters feel when they’re not able to fill it is extremely vivid. We learn a little more about their magic in the process. The pace does slow down quite a bit from the first 20% where Tessla was in the middle of a war and unsure of what’s going on, but it fits the story well. These characters become even more real and detailed as it goes on. There are some descriptions and points where it gets a little dirty for a PG-13 rating, so do keep that in mind while reading. That said, this quite possibly the most intense, best romance I’ve ever read. The way the situation happens, the awkwardness and anger that translates into intense love is extremely gratifying to read.Also for my readers, I will note that there’s a lot of talk about rumored homosexuality between characters, and one certainly is, though that activity is not shown in the book. There is a message of society condemning this is bad, though it is focused toward a good message of “don’t ostracize people for being different than you” more than praising any certain behavior. Unlike The Black Witch, I don’t feel like the message interfered with the fiction at all or slowed the book down. I would say a couple points felt like the character thought a little too modern for her understanding of this low-tech world but I did not get thrown out of the story at all.A lot toward the end of the book mirrors what happened with The Black Witch, which I believe was intentional. It’s a nice set up to the world in that regard and some good foreshadowing of the larger novel. I wanted to see Tessla’s progression as a mage a little bit more… but hopefully that just means we’ll get a sequel.I was gripped from start to finish, and so far, this has my vote for best novella of 2017.

I am extremely disappointed that this book and light mage are not actual books, only because I can't buy them and lend them out to others and re read. I love Tess and Vale's story and I wish I could get more of them. This book starts off in the midst of racial purging sparking a war that the series refers to very often and gives a reminder of what was going on in nazi Germany. It is very riveting and you cheer Tess on though it all. Being an outsider myself I related to her story very strongly. I highly recommend reading this book 1st then light mage before the black witch, only because you get the whole back history 1st and gives you hidden clues and heartache as you read the series.I hope everyone who reads this series and comes away with compassion and an open mind about those we live with and what they go through on a daily basis. Too often we forget that stories and books are based on real life experiences and ideas.

I am not a fan of prequel's and I actually missed the part that said this was a prequel, so for the first dozen chapters I was disappointed because Elloren never showed up. Duh. It's not about her. I recommend reading this one before the Black Witch because then the players make more sense. That said, you must read this! It is every bit as good as The Black Witch. Ms. Forest is an extraordinary storyteller and the characters in this book are delightful and romantic. Her use of magic is well thought out. Many of her character's insightful comments are really relevant. Once again, brilliant work.

Nice as a filler waiting for the next novel after The Black Witch. Addictive but rushed and seems to be more like a pilot or story idea for the black witch. Enjoyed reading it but wished it was deeper and more eloquent. Excited for this author to keep improving.

Laurie Frost is a literary genius. Wandfasted was written with such unique, brilliant, and unfathomable talent and effortless ease. I want and need more. I didn't realize it was almost over and I sat reading the last page wishing I could drown myself in the story - in their lives- to know everything that happened afterwards. The way that Frost makes you love her characters and the meaning she puts behind the story is truly the work of one in a million authors. I'm sitting here in awe. If you haven't read The Black Witch and then IMMEDIATELY DEVOUR WANDFASTED.I am completely overwhelmed with obsession to read The Iron Flower (which doesn'tget released until Sept. 2018! What am I go to do?!?? Laurie, you are such a sincerely brilliant author and person. You have a forever fan here with me (@ yetstillshereads ) and Nox to Lumos Candle Co. noxtolumoscandleco.etsy.com

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Monday, October 7, 2013

Get Free Ebook Bernini: Sculpting in Clay

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Bernini: Sculpting in Clay

Bernini: Sculpting in Clay


Bernini: Sculpting in Clay


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Bernini: Sculpting in Clay

Review

Selected as a Choice Outstanding Academic Title for 2013 in the Fine Arts Category. (Outstanding Academic Title Choice 2014-01-21)"Bernini: Sculpting in Clay . . . by Ian Wardropper and others is the catalog for a magnificent exhibition . . . focusing on the Italian master's use of hand-formed terracotta models as first drafts or sketches for his supremely refined marble sculptures of the human form, including the famed angels of the Ponte Sant' Angelo in Rome. These works, which still bear traces of Bernini's fingerprints in the clay, document the artist's acute powers of observation and profound expressive gifts, offering a peek into the creative process of a truly towering figure in Baroque art.”—Jonathan Lopez, Wall Street Journal (Jonathan Lopez Wall Street Journal)“As a scholarly study of artistic process, the book is thorough and well organized, including equal shares of history and biography, art criticism, reception studies, historiography, and curatorial practice. As a catalogue of Bernini’s models, the book is equally as exhaustive, with enlarged photographs of key details, such as “striations from dry brush smoothing” or finger marks that indicate Bernini’s fast and free style.”—Publishers Weekly (Publishers Weekly)

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About the Author

C. D. Dickerson III is curator of European Art at the Kimbell Museum of Art, Fort Worth. Anthony Sigel is conservator of objects and sculpture at the Straus Center for Conservation and Technical Studies, Harvard Art Museums. Ian Wardropper is director of The Frick Collection, New York.

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Product details

Hardcover: 432 pages

Publisher: Metropolitan Museum of Art; 1st Edition edition (October 30, 2012)

Language: English

ISBN-10: 0300185006

ISBN-13: 978-0300185003

Product Dimensions:

9.8 x 1.2 x 11.5 inches

Shipping Weight: 5.8 pounds

Average Customer Review:

4.7 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#249,180 in Books (See Top 100 in Books)

This is a superb book, an argument for the continued existence of hard copies in addtion to e-books with all their useful attributes. It is a beautiful artefact, presenting outstanding photographs coupled with insightful text from a variety of experts. The subject is a specialist angle on the work of Gianlorenzo Bernini, supreme maestro of the Italian Baroque. For around two centuries his work was out of fashion. Charles Dickens, for example, when visiting Rome, considered the angels on the Ponte Sant'Angelo to be hideous - in line with the taste of his contemporaries he disliked the swirling shapes and dramatic poses so expressive of emotion. However, art criticism has once more come to appreciate the extraordinary works of this prolific genius. Many books on his oeuvre have been published. What makes this one exceptional, is that it focuses not on Bernini's marble sculpture as such,but on the terracotta models he made in his workshop, where a large team of assistants helped him create the staggering output of artworks he produced in his lifetime. The Metropolitan Museum in New York presented an exhibition of the artist's models entitled: "Bernini: Sculpting in Clay," October 2012 to Jan 2013, which brought together 55 of the existing clay models from various museums. They range from small bozetti to larger modello piccolos and the occasional modello grande (life-size). A range of essays from Bernini experts provides commentary on and analysis of these models, relating them to questions and theories about the completed works, fountains, chapels and sculptures, for which they represent the artist's initial conception and more detailed vision for his stupendous works. Some still bear the imprint of the maestro's fingers as he modelled in the plastic material of clay his vision that had to be realised in marble. A must-have for Bernini lovers and students.

This book is a must for serious figurative clay sculptors. It is a rarity to have this much information and detail about the process used by Bernini or any other sculptor. The photography is exceptional in its detail and the overlay of tool direction. There is a clearer understanding of the creative role played by Bernini and his relationship with the highly skilled, talented "craftsmen" who executed his ideas.

Great coverage with numerous color photos showing preliminary clay models made towards larger sculptures showing very expressive style. Excellent for students & makers of sculpture. Most highly recommended.

You can see Bernini's original inspirations springing into form in these clay sketches which served as models for the carved marble masterpieces. All the energy of the Baroque playing from his fingertips.

Great book with insightful essays and wonderful reproductions.

Great resource for sculptors who want to see fingerprints and the bottoms and xrays of these clay figures. I saw the Bernini Museum in Rome. It is full of small terra cotta figures and have wanted to see them again. This book provides the best chance to see these amazing forms.

Wow this is a bog book and its full with great information and sculptures I mean what more could you ask for?

This analysis of Bernini's methods of working in clay has literally overwhelmed me with its attention to in-depth detail and the subtle conclusions it has put forward. The photographs of the minutest detail of a sculpture are exciting for this sculptor to behold. The ability to peer inside or underneath one of Bernini's sculptures is truly fascinating for it beckons one to travel along with Bernini on his creative journey. I strongly recommend this book as an exciting way to understand the mind and creative methods of one of the greatest sculptors of all time!

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